movie review Archives – The Statesman

“Joker”: A deep dive into the origins of a beloved madman

by Alek LewisArtsOctober 26, 2019October 26, 2019

“Joker,” directed by Todd Phillips and starring Joaquin Phoenix in the titular role, brings an original and detailed dive into the psyche of Batman’s enigmatic villain, while simultaneously creating one of the most memorable character performances of the last decade.

It: Chapter 2 is a thrill ride that starts fast and doesn’t slow down

by Alexander BakirdanArtsSeptember 10, 2019September 10, 2019

“It: Chapter 2” doesn’t pull any punches from the very beginning as the movie sets the tone quickly for what is a thrilling ride from start to finish. Now I feel I can’t discuss this movie properly without spoiling it a bit, so consider this a warning, there will be massive spoilers ahead.

Directors cut supersedes the original “Midsommar”

by Lajiere BlakeArtsSeptember 8, 2019September 9, 2019

The debut of “Midsommar” in July 2019 was met with fervent excitement from fans of the director’s first feature film, “Hereditary.” The wide success of “Hereditary” gave Aster the golden pass to join with the likes of Jordan Peele.

“Dark Phoenix” fails to rise from the ashes

by Alexander BakirdanArtsJune 11, 2019June 19, 2019

The final installment in 21st Century Fox’s X-Men franchise, “Dark Phoenix,” crashes and burns on its opening weekend on Friday, June 7.

“The Predator:” Just another mediocre reboot

by Matthew RainisArtsSeptember 26, 2018September 26, 2018

If the filmmakers had been willing to stay in their lane on this one, this would have been a solidly entertaining action flick.

“Love, Simon” is the optimistic coming out story we needed

by Matthew RainisArtsMarch 25, 2018

The positivity and normalcy the film portrays Simon’s struggles makes it pleasant and watchable, occasionally tugging at the heartstrings a bit.

Review: Remake of Agatha Christie’s “Murder on the Orient Express”

by Zoya NaqviArtsNovember 12, 2017November 12, 2017

Director Kenneth Branagh attempts to reintroduce famed 20th century English mystery writer Agatha Christie’s best-selling 1934 mystery novel, “Murder on the Orient Express,” but his stubbornness to cling onto the last speck of cinematic nostalgia hurts the film in the long run.

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