Dove Cameron shines in all of her gothic-pop glory with debut album “Alchemical: Volume 1”
Clare Gehlich, Assistant Arts and Culture Editor
• December 17, 2023
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Where do clothes from the Wolfie Clothing Recycling Bins go?
Emily Chao
• December 13, 2023
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It’s Spotify Wrapped season: let’s review its new categories
Patrick Larkin
• December 12, 2023
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Disney’s “Wish” is quite possibly their worst picture yet
Patrick Larkin
• December 8, 2023
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It’s time for the Stony Brook Orchestra’s annual Messiah sing-along concert this weekend
Jenna Zaza
• December 8, 2023
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Kenzie Cait reflects on first love and teenage girlhood in debut EP “innocence”
Clare Gehlich, Assistant Arts and Culture Editor
• December 7, 2023
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The Wang Center screens animated film “Inu-Oh,” blending rock and 14th-century Japanese culture
Christina Marie Mariani
• December 7, 2023
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“Quiz Lady” redefines star personas with heartfelt comedy
Patrick Larkin
• December 3, 2023
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Grammy Award winner LeAnn Rimes graces the Staller Main Stage
Adrienne Esposito
• December 3, 2023
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Sabrina Carpenter’s “fruitcake” serves witty and charming holiday spirit
Emily Chao
• November 28, 2023
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“The Marvels” delivers a fulfilling storyline that shapes the future of the Marvel Cinematic Universe
Sarah Chaudhry
• November 21, 2023
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“The Holdovers” is a cute, innocent film that overly fetishizes a vintage outlook of the past
Joshua Lee
• November 21, 2023
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