Exploring how SBU’s media consumption has changed over the last decade
Joshua Lee
• April 29, 2024
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SBU students combat fashion waste with trash to treasure thrift shops
Clare Gehlich, Assistant Arts and Culture Editor
• April 28, 2024
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The Brandy Melville exposé documentary isn’t wildly shocking, and that’s a bigger problem
Emily Chao, Assistant Arts and Culture Editor
• April 28, 2024
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Beyond the stage: challenges faced by performance-based clubs at SBU
Christina Marie Mariani
• April 28, 2024
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“Ghostbusters: Frozen Empire”: when a franchise cannibalizes itself
Joshua Lee
• April 28, 2024
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Taylor Swift’s newest alias of “Tortured Poet” is well-deserved
Sarah Chaudhry
• April 28, 2024
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The Spirit of Stony Brook Spring Showcase in photos
Brittney Dietz
• April 28, 2024
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This year’s C + I Fest is right around the corner: a chance to highlight campus creatives
Sonya Gugliara, News Editor
• April 25, 2024
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Rapper A Boogie Wit da Hoodie was a big hit at Brookfest
Lorraine Hallett
• April 24, 2024
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Music journalist Jeff Benjamin on the globalization of K-pop in the U.S.
Emily Chao, Assistant Arts and Culture Editor
• April 21, 2024
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The impact of Avril Lavigne’s debut album “Let Go” on modern music
Clare Gehlich, Assistant Arts and Culture Editor
• April 21, 2024
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“Love Lies Bleeding” takes a million swings, and they all pay off — except one
Joshua Lee
• April 17, 2024
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April 29, 2024
April 29, 2024
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